Morocco abounds with musical styles Turatah, which is considered ammunition technical Hah, culturally and stocks and Tunaia, terms is a sign and a testament to the level attained artistic creativity in Morocco since the time Baid, Moroccans and accumulated in the field of musical templates in turn formed a tributary of music global.
Varied musical styles in Morocco heritage diversity of terrain Aljgraveh, what indicates the richness of musical map Palmmlkh, it Andalusian music (mirth machine), and the Rapture Ahlgrenati, and mirth Almlhon, art of praise and Alsma, Isawh, to music and art and art Ahamdoha, Ohawwah, art Ohidos, and accuracy Alemrakachih , mountain Aita (Tqtoukh), art and music Alaath, Knawh, popular music Hassani and other ... all of which make up the mosaic patterns and creative Mtmazja, product darling rooted tree Moroccan creativity.
It can be sure that it can not evoke the general characteristics of the musical heritage Amora, by multiple considerations, the most important of riches in terms of Alonamat, diversity within each Hkl, not to mention the multiplicity Allgoa, and wealth formal (machines and clothes and rituals), without losing sight of this variation on a musical level Abv, terms tunes and shrines.
It is intended musical heritage patterns is all shapes and molds the mechanism and Aghannaiah, where researchers known musician and musical heritage as a "cultural inventory of Hab, cultural and material vital Teks, in Sadegh, conditions of through historical periods over Mnha, also captures the impact on nations and societies, which has been linked by ties variety .. just like that music is an expression of human symbolic representations and perceptions of himself and the world around him. "
And it brings together many researchers and interested parties that the Moroccan musical and musical heritage has become vulnerable to loss and Alandthar, and that "the time has come to collect Stadth, and directed by university research that addressed the study and Altotiq, which has been locked in universities and institutes shelves Alalmah, and documenting traditional texts on Dwaoan, form and make heritage material continent courses taught within Altahlmyh, and look for ways to commercialize creative heritage rationally modern methods. "
With their emphasis on the importance of heritage music Amora, the researchers and those interested in attending the two illuminated in their perception of this heritage and how to handle and deal with him. It is a farewell to rooting it and develop it and assemble it and draw inspiration Menh, to uncertain should not tautness Alah, and go to the drafting of a musical and lyrical templates Jdidh, re Moroccan creativity musician Abaqrath, and fuel Jzute, and graduating from the stalemate stage Odt, in Roehm, to the receding horizon of creativity and innovation Moroccans creators.
In this Alsdd, Abdul Salam record Klovi, professor of musical heritage material Amora, contagious programs Ffineh, told Maghreb Arab Onaba, the human heritage in Aam, musical heritage is Khas, exposed in the recently Alojerh, to the worst stereotypes and Altahjan, campaigns and for the most heinous attacks Alastsgar and Ctgar, where recruited for this purpose, which means Ktarh, benefit offered by the technological revolution surges in the field of communication and Altoasl, through the internet and by satellite television, which has become propagate like mushrooms in the open land.
He added that the first results of these organized attacks became notes of Aptaad, adult before Alsgar, our heritage music Alzakhar, and consider him a look Ozdra, rather than look upholding Muftrdh, until it became all on the verge of any heritage items branded as "reactionary and backward," and in return this Alastsgar remarkable heritage even in circles Almtnorh, says researcher Klovi, became noted Ahtvae, is Mspoq, all musical fashions Allowavdh, and diligence in promoting it.
Klovi stressed that "should not be understood to invite popularity of musical heritage of being invited lined to abandon all music and Alfdh, even Almamna Petratna, is fortified us from all sickly throw Bh, and encouraging us all beefy Nstqublh."
He added that what distinguishes Morocco is a rich cultural and ethnic Aerqa, Over the centuries, successive civilizations of this country and races and Atnaat, Hklt, Traqueme, in a range of colors and expressions Alphenah, Amoosiqih, pregnant many Altvasil, highlighting that entail Aljgrave, diversity that abounds with Amor, great diversity in terms of musical and lyrical colors and Altobeirah, with Alhobeih, nature and diversity between the different patterns Amorah, confined areas but extends to the presence of Achtlavat, Aluahd, in terms of style and in the same region.
The traditional approach to arts Amorah, in the opinion Klovi, is fraught with a lot of Alassaobac, runs from the recent interest in this Alphenon, in terms of the combination, classification and devise Ale, Aloda, and methods, as well as those Eldonah, outlook that accompanied Seat, operations carried out by foreigners in particular, , Alastammar, days as they consider these arts and arts Bdaiah, promoted to this thesis strongly between Almgarbh, aim of their pay to give up and move away from Hoathm, Jdhuarham, as these claims and found an echo within Almojtma, even among Mhagafih, Valmichbon culture Alklashikih, researcher says Ahmed Baucus "contemptuous of folk art as primitive arts ... The enlightened intelligentsia Vtattabrha manifestation of the culture of Mnahth, would Nglna to irrationality and retreat to the back."
At the same Altuge, Mohammed Thami Alhrac, confirms the artist and the Moroccan researcher in the field of heritage and mysticism and hearing Alsofi, that the musical styles of heritage is considered ammunition technical alive if properly handled and benefit Mnha, and can not in any way say that rooting out the ammunition nor disproved and cutting strict with her.
He Alhrac, in Mmathl, a statement that in addition to being a memory of conscience Aljmai, and the importance of psychological and social functions and Althagavah, and its role in shaping the spirit of belonging to the identity Maanh, they Tad, thanks to the multiplicity of Mkunadtha, and openness to the enrichment and Alttaiwir, mine informative cultural and data Alontorpologih, both of which own dress or cooking or singing or habits at weddings and Alotrah or the various traditions that reflect the aspect of Living history in the life details Aleomah, a life in which the singing attend Kmatt artistic aesthetic, social, economic and cultural and myself indispensable for anyone who wants to identify the group Maanh, and monitoring cultural and civilizational and historical landmarks.
He said Mohammed Thami Alhrac, a cultural and artistic administrator for "who remember Research Foundation Sufi music and hearing in Rabat," that these patterns that looked at it in this horizon becomes a source rich to inspire the people of Art for Ttoerha, while maintaining the spirit of originality Alphenah, a development tends two areas º the first renewal from the inside, a renewal of trying to invest for those types of internal mechanisms for updating its influence in the contemporary recipient and Trhin different functions º the second-oriented Verom dialogue with those types of Foreigha, and work to benefit from the richness of poetry and rhythmic Allhana and performative and ritual and the aesthetic in the formulation of a contemporary accomplished technician interacts creatively with those Alonamat, and thus ensures the quality of "forgotten" by the creator that infuses in his dealings with the technical memory.
It is intended burner so "forget creator", in which the celebration of the memory required and possession for liberation which º liberation means digestion and remelting and Chiagh, so that they are memory raw material are needed for production and re-Alanteg, in an argumentative see in overtaking the top of the Loyalty to the inherited º dialectic creative encourage brightly between communication in progress. Alanfsal, that in the two approaches together, the need for care and documentary compilation musical patterns Altkulaidah, remain so that no creativity without memory.
The researcher shared music and a binder Younis Ahami, of Jhth, researcher burner opinion this Al_khasos, Affirming that national duty has become imperative for those interested Almsaolin, and fear for the future of musical styles Turatah, harness all possible means to maintain them and guard against threats to their risks.
In a statement Mmathl, Ahami, professor who issued so far six bouts of mirth machine code of the musical Balnoth to preserve the heritage of this genre from extinction and communicated generations Kadmh, to codify these traditional styles in addition to writing Amoosiqih, recorded Alsota, is assured the best of this and effective means it does not protect it all from loss and distortion potential as it has been based on the novel oral in Tnaqlha, but it helps to understand the taste and contributes to publicize it and facilitate Nscherha, as it facilitates learning and inspiration Mnha, and puts in the hands of interested researchers working documents are indispensable for analysis and comparison The conclusion and inspiration.
This view is shared with each of the two professors Klovi and Alhrac, where the first stresses that to remedy this Altherh arts blogging Amoosiqi, audio and visual recording is considered Mlha, because the persistence to leave these arts to Qderha, will not result in him only Ziaaha, death of maintaining and flags and Mwalimaha, especially since opportunity now under a constitution insists on Alhoah, and gives value for Jhoah, and underscore the richness Alseny for Mgarbh, be rectify the matter before it is too Alooan, while emphasizing burner the need to document these musical styles and recording and compiling texts Care and notation Tlahinha and Ongamha, and graduation of scientific documents and definition Boalamha and the study of their effects and functions aesthetic, psychological, social and economic ...
In the context Math, confirms Mr. Ahmed Aidon, Moroccan researcher in science Amoosaqy, in his intervention in one of the authentic season Althagava, sessions to maintain the musical heritage linked to the preservation of one of the components of identity Althagavah, stressing the need to focus on the teaching of this heritage and the development of methods and educational materials this supportive Turatah, music to penetrate in Massatah, institutes Amoosiqih, Daia, programs to work to strengthen scientific research in this area.
He warned Mr. Aydoun that traditional patterns Amoosiqih, especially popular Mnha, threatened Alandthar, risk on the grounds that these Alhobeih, patterns that Noaa,, numbering more than 70 in Morocco are not taught in conservatories.
Regarding the break with Amoosiqi, Aidon, heritage expressed in one of his speeches Asahvih, concern for his flock advocated by a group of young generations with Alkadimh, expressing his understanding of the conflict to be technically and that there be Achtlav, but on condition that this difference is not built on a generational conflict. And Qal, in this Alsdd, "We can not continue to experiment or Nasal her reach out to a greater level of Aalemya, if we believe that we can erase Alsabakh, experiments or not to admit them. It may be the right of young people to reject Alossaah, but they have to deal with history Ksirorh, not Kkotaiah. "
The researcher Said Amora, professor of anthropology Althagavah, sees is Zlk, where Aattabr, in a statement to the argument that Okalh, heritage and deal with it "failed the issue, if not less, surpassing" and tautness to this heritage is "a process to limit the creative energy of the Mbdein, does not provide them room for creative innovation, "stressing that" this creation and innovation will not be an oddity out of the local self-effects in advance pressing on the feelings of the creator and artistic feelings against his will. "
Professor Said Moroccan stressed that "Morocco needs to innovators are able to meet the expectations of Moroccans creative Alraiqh", calling for a "bypass disabled creative language Altbsaiti, and work in the areas of welcome and Ousa, without falling in random or attempt Altasvi, music patriation which offend the article creative and it does not serve not heritage and creativity alike. "
From Jhth, researcher believes musician and oud player Moroccan Nasser Alhoara, in his conception of the subject Astgueth Olokulh, it can not in any Bld, especially Morocco known for the diversity of its tributaries Amoosiqih, wants to maintain its identity and maintenance of the ingredients and Jodh, dispensing heritage at any creativity so that Musiqi, Ajb, Htmia, start from the basis of the musical identity of this heritage Nevsh, which should safeguard and maintain it in the beginning and closing out the identity and art mirror each country.
After Mr. Alhoara, explained in this Alsdd, that creativity does not come from Adm, but extrapolates from his own heritage and Altkulaidah, templates as is the true identity of each Mbda, stressed that the development of this heritage and styles that fall within it remains to be Msthba, not erase or to Taweidah, but to enrich creations Menh, and quotation in order to create new perspectives and vision of contemporary art.
He highlighted that the artistic and cultural heritage is the pride of each country Oesel, and that what is currently promoting the arts scene is only a tradition and re-drafting of foreign heritage has been developed in the country Ma, In Arab countries there is a feeling alienated "Mbdeina of our heritage for fear of being accused of Palmtkhalafan or naïve" .
The documentation for each of Fine Arts, the musical styles of heritage in all regions Amorah, through research and Nasos,, audio and Alsourh, is now an urgent necessity in order to maintain the musical and lyrical memory Amorah, and payment of generations of young people to come to terms with the legacy of Alojaddad, take a Spotlight on the most important features these patterns and the most prominent patrons and begging him of stringed instruments and Aahaah, and terms used in this traditional patterns and melodic structures and roles.
That an invitation for each researcher and artist jealous Bldh, heritage in order to save the traditional musical heritage of various elements, preservation and sustainability.
